約 4,059,704 件
https://w.atwiki.jp/vipmtg2/pages/270.html
概要 [使用セット] 4E+6E+AN+TE+MM+IN+OD+SC+MR+DS+SOK+RAV+GP+PLC+FUT [特殊ルール] Doubling Mana １．マナ＋１（プレイヤーがマナを引き出すために土地をタップするたび、そのプレイヤーは自分のマナ・プールにそのタイプのマナ１点を加える） ２．マナ・コストに同じ色マナ・シンボルが２つ以上あるカードのみ、デッキに使用できる（土地以外） ３．ゲーム開始時のライフは３０とする ４．すべての土地は被覆を持つ [禁止カード] レガシーで禁止されているすべてのカード テキストに「Ｘ」（不特定の数を表すＸ）を含むすべてのカード 自分のターンを追加するすべてカード 激動 魂流し 抹消 歪んだ世界 転覆 次元の突破口 平等化 滅殺の命令 ジョークルホープス 2008/04/19 20 00～20 45募集 21 00開始 デッキ ひまぷー 青黒デッキウインズ 6 [UNH] Island 3 [UNH] Swamp 4 [RAV] Watery Grave 4 [6E] Underground River 4 [FUT] River of Tears 4 [TE] Stalking Stones ←今日一番の大活躍 4 [OD] Braids, Cabal Minion 4 [FUT] Venser, Shaper Savant 3 [GP] Skeletal Vampire 1 [IN] Phyrexian Delver 4 [RAV] Dimir Guildmage 4 [TE] Counterspell 4 [TE] Dismiss 4 [SC] Decree of Silence 1 [OD] Haunting Echoes 2 [OD] Diabolic Tutor 3 [SC] Decree of Pain ←神だね2/2祭りでした 1 [MM] Misdirection SB 1 [OD] Haunting Echoes SB 1 [SC] Decree of Pain SB 1 [MM] Misdirection SB 4 [MR] Reiver Demon ←出番無さ杉で悔しいから１枚だけ決勝サイドインした SB 4 [MR] Wrench Mind ←デッキに合わなかったから入れてない SB 4 [RAV] Muddle the Mixture 壊れた環境はみんな青黒ばっかでした、泥仕合覚悟で突っこんだこの青黒 隠れ石がメタられてなかったのでミラーを有利に進めることができました 野試合してない脳内構築だったんですが、上手いことまわってくれました okaka バベル 4 [RAV] Watery Grave 4 [IN] Salt Marsh 4 [6E] Underground River 4 [TE] Ancient Tomb 2 [OD] Cephalid Coliseum 2 [PLC] Urborg, Tomb of Yawgmoth 12 [UG] Swamp 40 [UG] Island 4 [DS] Blinkmoth Nexus 1 [SOK] Miren, the Moaning Well 4 [FUT] River of Tears 1 [SOK] Oboro, Palace in the Clouds 4 [OD] Darkwater Catacombs 4 [AN] City of Brass 4 [RAV] Dimir Aqueduct 4 [TE] Stalking Stones 4 [RAV] Dimir Guildmage 4 [FUT] Shimian Specter 1 [FUT] Magus of the Future 4 [FUT] Venser, Shaper Savant 1 [MR] Reiver Demon 4 [IN] Nightscape Master 1 [MM] Thrashing Wumpus 4 [6E] Abyssal Specter 4 [4E] Black Knight 4 [AN] Old Man of the Sea 4 [AN] Juzam Djinn 3 [SC] Consumptive Goo 4 [4E] Hypnotic Specter 4 [RAV] Clutch of the Undercity 4 [OD] Battle of Wits 4 [OD] Diabolic Tutor 1 [OD] Traumatize 1 [OD] Haunting Echoes 4 [MR] Wrench Mind 4 [RAV] Muddle the Mixture 4 [DS] Pulse of the Grid 4 [TE] Evincar s Justice 4 [MR] Barter in Blood 4 [IN] Undermine 4 [TE] Counterspell 1 [SC] Tendrils of Agony 1 [MR] Temporal Cascade 4 [DS] Last Word 1 [IN] Yawgmoth s Agenda 4 [PLC] Dismal Failure 2 [MM] Bribery 4 [PLC] Enslave 4 [IN] Spinal Embrace 4 [PLC] Damnation 2 [MM] Misdirection 4 [OD] Concentrate 4 [MM] Thwart 1 [6E] Diminishing Returns 3 [6E] Ancestral Memories 4 [6E] Browse 1 [TE] Living Death 4 [4E] Control Magic 4 [TE] Dismiss 4 [6E] Boomerang 4 [SC] Decree of Silence 3 [SC] Decree of Pain SB 1 [OD] Haunting Echoes SB 4 [SOK] Twincast SB 2 [TE] Steal Enchantment SB 4 [AN] Dandan SB 4 [4E] Deathgrip 優勝準優勝以外もたまにはうｐしてみる。 摘出されまくって探すのが大変でした。
https://w.atwiki.jp/animescriptstorage/pages/11.html
CLANNAD 1. On the Sloped Road Where Cherry Blossoms Flutter Tomoya I hate this town. It's too filled with memories I'd rather forget. I go to school everyday, hang out with my friends... ...and then I go home. There's no place I'd rather not go ever again. I wonder if anything will ever change? Will that day ever come? Nagisa Ampan! Do you like this school? I have to say that I love it very, very much. But soon, everything changes. Well, at least it does eventually. Tomoya A girl I don't know... And she isn't talking to me... She's probably talking to someone in her heart. Nagisa Fun things, happy things... They'll all... They'll all eventually change someday, you know. But can you still love this place? Tomoya Just go and find more. Nagisa Ah? Tomoya All you have to do is find other fun and happy things. It's not so hard. Come on, let's go! Nagisa Oh... Tomoya And so we begin... a long long upward climb. OP- Student ...I haven't seen it in a long time! Rugby Guy How about it, Sunohara? You come to your senses? Rugby Guy You with your CD player turned way up day after day? Youhei Well, I can't get myself going until I hear that song. Rugby Guy Scrum! Tomoya I swear! Every day it's the same thing. Youhei Okazaki, don't just stand there. Help me! Tomoya No, I don't wanna turn into a lame-brain like you. Youhei You can be really cold-hearted, do you know that? Misae Quiet! Quiet!! Will you guys knock it off? Rugby Team Whoa! Misae Those stupid kids! I'm the one all of the darn neighbors complain to, you know. Tomoya It's not easy being Dorm Mother, is it? Youhei Misae, you should've come sooner to save me! Misae You're just as much at fault of that. I hope you've learned your lesson after that little assault. Youhei Yes, ma'am. 第１回桜舞い散る坂道で Youhei Damn, those rugby team jerk-offs. Tomoya No one can hear you if you whisper. Damn those rugby team jerk-offs! Guy Who said that? Youhei Are you trying to get me killed!? Tomoya Ack. You are such a wimp, you know that? Youhei Well, if it were just one of those guys, I wouldn't give in. It's just too many of them. But just wait and see! I'll get all of them good just before our graduation day. Then Okazaki, as my best friend, I'll let you watch my back. Tomoya Lucky me! I got ya covered. Youhei You're not gonna do it! Tomoya Let's be honest with you, I'm more on their side than yours. Youhei Since when? Tomoya Since that day, when... Guy Keep it down, will ya! Youhei Whaahaha! Tomoya Shall I kick him back? Youhei Ahhh!! Tomoya And so this day ends like all the others do... So can I have some tea or something? Youhei No, I'm all out. Tomoya With no particular objective and nothing to feel passionate about. Pretty please? Youhei [Hey, you/Begging] won't get any tea up here! Tomoya Just another unexceptional day... "I" This is a world that has ended. Nothing is born, nothing dies. Not even passing time exists. If I were looking for somewhere to be born, I don't think I should choose this world. And in this world - such as it is - there is someone. I wonder if she can see me? I haven't been born into this world. A girl living alone in a world that has ended. A girl living in this empty and still world. For some reason, I am bothered by that girl... Guy Okazaki and Sunohara aren't here yet. I wonder what they're planning to do about going on to college and entrance exams. They're seniors, you know. Guy Forget about those two. We don't need to waste a moment of our lives worrying over those two bums. Humph! Ryou Ah, Okazaki? Tomoya Huh? What's the matter? What is it? Ryou Looks like you're a little late again today, aren't you? Tomoya So? Ryou Well, I just think you should come to school on time everyday, that's all. Tomoya Oh? You're starting to sound like the class leader or something, you know that? Ryou But, it's not any "or something." I really am the class leader! Guy Hey, Okazaki. Don't make her cry! You'll have her big sister rushing in. Ryou Oh, don't worry! I'm not crying at all. Tomoya Okay, I got it. Let's just see how I do tomorrow. Ryou Well, then, uh... I'll read your fortune for tomorrow. Fortune-telling is my hobby, you see. Oh! Tomoya Oh, boy... Ryou It says you're going to be late tomorrow. Tomoya Ah! You trying to make me mad?! Ryou It's just what the cards say! I think this is your future. Tomoya You think that's my future? Ryou On your way to school, you'll have a romantic meeting with a sweet girl. You'll forget all about the time, and that's why you're going to be late. Tomoya Seems to be awfully specific, isn't it? Ryou You can call it a maiden's inspiration! Kyou Hey! Tomoya Okazaki! Ryou Sister, what is it?! Tomoya Uh-oh... Kyou You have got some nerve picking on my little sister, you flea brain. I'm gonna beat you! Tomoya Jeez, will you relax! I was only talking to her! Ryou That's right, Sis. He wasn't picking on me. Kyou Oh, in that case. Huh? Were you having Ryou read your fortune or something? Tomoya Yeah, she says I'll have a romantic meeting with a sweet girl tomorrow. Kyou Is that so? Tomoya Okay, what's up with that face? Kyou Nothing at all, lover boy. Well, good luck! Ha-haha! Tomoya Now, where shall I eat this? Guy A ghost? Guy They say that a ghost appears. You know, the ghost of that girl killed in that traffic accident? Guy They were probably seeing things. Guy It's true! Tomoya A ghost, huh? Guy They say she's cute... Tomoya Yo! You alone? You should eat in a classroom with your friends. Ampan? Are you listening to me? Nagisa No, I'm so sorry, I... I'm in the middle of my lunchtime meal. Tomoya So I see. Nagisa What did... So, what did you want? Tomoya Nothing really. I was just wondering why you're here eating lunch alone? Nagisa Let me ask you. Do you like this school very much? Tomoya No, not especially. Nagisa I love this school very very much. I used to have friends I could talk to and teachers I was close to. But now it's just... Tomoya Did something happen? Nagisa It's just that I was out of school for a long time last year, so everything's different. And I... Tomoya (You) have to take the year over? Nagisa Yes, I'm a repeater. Everybody that I knew has graduated and gone on to their lives, so there isn't anyone I know here anymore. It's kinda weird, but I feel a little like Rip Van Winkle. Oh, I'm sorry! I've only just met you and I'm telling you all this! Tomoya Oh, I see. So that's why you were talking to yourself? But weren't you in any of the clubs or anything? Nagisa Well, I really wanted to join this school's drama club, but... I don't know. Physically I'm weak, so I can't be very active. So I don't think I'd get any parts. Tomoya If that's the case, then just do as much as you can. Why not at least check out the Drama Club room after school? Nagisa But I... Tomoya Oh, look! They're looking this way. If you're always looking so sad, you won't make any friends. Try smiling and waving at them. Come on, just try it. A big smile! Nagisa Uh...? Tomoya They didn't notice you. Nagisa I guess I don't stand out much - not even in my classes. Nagisa What could it be? Guy This should be interesting! Youhei Boy! This is great! What a blast! Tomoya Sunohara, what's all the excitement? Youhei It's a raid, I suppose. Those rough kids from another high school came riding in on their bikes. Hey, what are you doing leaning on my head?! Get off of me! Ooh, what's this? (Is she) planning to lecture them? C L A N N A D クラナド - Nagisa Why is this happening? Tomoya This school has the highest rate of kids going on to college in town. There are guys who are turned off by that Youhei So, what? Are you gonna help her? Tomoya I can't just sit back and watch. Girl You don't have to worry about Tomoyo! Tomoya Tomoyo? Girl Don't you know her? She just transferred here as a junior. Her name is Tomoyo Sakagami. Girl She's really super strong. If you butt in, you're only going to be getting in her way. Tomoya But she's outnumbered. Tomoyo I don't want any unnecessary fuss out of you. Get out of here or you'll get hurt! I won't trouble you if you all just leave peaceably. You wouldn't wanna get hurt, would you? Punk Don't take me for a fool! Punks Arhhh! Punk Don't take me for a fool! Girls Oh my gosh, she did it! Oh, she's so super cool! Youhei Wow. What in the world was that? Nagisa So, who was she? Is she a transfer student or something? Tomoya Apparently not much different from your situation. But she's very popular. I guess it depends on how you handle things. Nagisa When you put it that way, maybe you're right. Tomoya Yeah right. Who am I to be lecturing her? Tomoya Well, I have to go. Nagisa Oh, yes, uh... Thank you very much. Tomoya Oh, I'm Tomoya Okazaki of Class D. Nagisa And my name is Nagisa Furukawa of Class B. Tomoya It's very nice to meet you. Nagisa Yes, same here. Tomoya Okazaki! Youhei Hey, Okazaki! I want you to come with me after this class. Tomoyo Faked it? Youhei Yeah. There's no way a girl can beat a guy. I'll bet you paid them to let you win so you could gain popularity. Or, maybe you didn't offer money... something else perhaps? Maybe you're that kind of girl who would offer a guy a little bit of her you-know-what? Girls Who are those guys anyway? Delinquent seniors. I think they're Sunohara and Okazaki. Tomoyo This is your day. I wasn't gonna take on and fight any of the students at this school. But it looks like I'll just have to make an exception in your case. Youhei You're so cute bluffing like that! I'll bet your knees are quaking. Tomoyo I wanna make this self-defense. Come at me. Youhei Don't be so sure of yourself. Give it up! Tomoya At that moment, I suddenly remembered. In this town, there was once an unbelievably strong girl, who was also very beautiful. She went around pounding dumb guys who bothered ordinary citizens. That's what I always heard, at least. Youhei I wish you'd told me that earlier! Tomoyo And don't come back again. Youhei Damn her! Tomoya The third floor of the old school building. This is where the Cultural Club rooms were, I think. I guess she's decided to join. Hamburger? Nagisa Excuse me. Uh? Nagisa Okazaki, it's you. You came here too? Tomoya Yeah. Nagisa What are you doing with your hand up there? Tomoya Oh, it's nothing. Sorry. Tomoya I'd forgotten. The Drama Club has been on hiatus since March. Nagisa I'd heard that they'd always had few members. Tomoya Well, yeah. But hiatus means they can get going again, once all the requirements are met. Nagisa I wonder if maybe... Tomoya Why don't you just hang in there a little bit longer? I'll help you. Nagisa Can I ask you a question? I'm sorry, I don't understand why you're being so nice to me? You only just met me a little while ago. Tomoya Why am I being nice? Don't know, good question. Woman Sit down and eat... Nagisa I'll leave you here. Tomoya Yeah, so long. Nagisa Uh, Okazaki? Tomoya Huh? Nagisa My home is actually upstairs in the bakery, on the other side of the park down there. Why don't you come and visit us some time? Tomoya I'll see. Tomoya Hello? Anyone here? Sanae That's our new item this week. It would just thrill me if you'd take a bite! Tomoya Is that her sister or mother? Sanae You needn't pay for it. It's just a leftover. The concept behind it is the word, "calmness." Tomoya Calmness? Okay, then. I think I'll give one a try. Sanae There's a rice cracker inside. I call it the Crispy Crackely Rice Cracker bun! Tomoya This may be the strangest name for a pastry, but the taste is even stranger than the name is. Sanae It is, isn't it? It was a winning idea! What's wrong? You don't like the bun? Tomoya What isn't wrong? I'm gonna have to be really honest. This thing is a total disaster! Sanae What?! Isn't it tasty? Tomoya There's a problem with the taste, yes. But it's just too hard to eat. It's obvious to me why these travesties haven't sold yet. Ah! Sanae You don't like my pastries? My homemade pastries? Tomoya Just... just a... Sanae So it's plain to see why they haven't sold! Tomoya Like mother, like daughter, I guess. I hope her father's normal, at least. Akio Hey! Tomoya What is it? Worse than anything I could imagine! Akio You said something you shouldn't have. You should've just said it was delicious and eaten it. Where's your sense of duty and charity? I swear you kids these days. You have no manners at all. Truth is always cruel if you just shove it into her face. How pitiful! People livin' around here eat her pastries saying they're good. It's an unwritten rule! It's the law! So you have to follow it too. You got that, wise guy? I'll beat you to such a pulp, they won't be able to recognize you! Huh? Hey kid, you're wearing the exact same uniform as our daughter. You wouldn't by any chance happen to be a friend of Nagisa's? You should have told me sooner, numbskull! Sanae I'm sorry that we showed Nagisa's friend such shameful conduct! Akio Don't worry, Sanae. He doesn't look too smart. So he's probably forgotten everything, right? Sanae You mustn't say such things to one of our guests, honey. Akio Whatever the case, we should be celebrating. Tomoya Why is this happening to me? Akio To think Nagisa would bring a friend home so soon after starting school. Sanae And what's more, it's a boy, Akio! Akio What's that?! A boy, you say? Tomoya Did he just realize it? Sanae Maybe this charming lad is her new boyfriend? Akio Humph! You think I'm gonna give Nagisa to such a wimp? Get outta here, kid. Get out! Go! Tomoya Then I guess I'll be leaving... Akio So, you call yourself a man? Well if you really are a man, you should grab the girl you love and run. Of course, there's no way I'd let you have her! Nagisa Well, look! You've all become friends already. Akio Of course we are! I wouldn't treat my daughter's friend as if they were a stranger. Furukawas Yeah! Akio What's wrong there, pal? Why the stupid look? Tomoya I just thought I probably shouldn't get involved with this family. Akio See? We've gotten friendly enough to even give each other a little sarcasm! Sanae Wait a minute, how rude of us! We don't even know your name yet. Nagisa It's Okazaki. Tomoya Okazaki. Akio Sounds like a sissy's name to me. Why don't you change it to Ginga Okazaki? Sanae It's nice! Well then would you mind if I call you Ginga? Akio While you're at it, change your last name to Daiuchuu! Ginga Daiuchuu! Isn't that a great name?! Tomoya My name is Tomoya Okazaki, not Ginga! Akio Man, aren't you a picky fella. Sanae, can't you think of a better name for him? Sanae I have an idea! What if we add a little magical something after his name? Something that shows his greatness and that he transcends the flow of time and space. How about Tomoya Okazaki Eternal? Akio Oh, that's just great! Call yourself that from now on, Ethanol! Tomoya It's different. Tomoya Thanks. I can find my way from here. Nagisa I'm sorry my family and I kept you so late. Tomoya It was a little strange... to think there was a family like this. You all get along so well. Nagisa Do you think so? I think we're actually quite ordinary. Tomoya See you tomorrow. Nagisa Yes. Good night, Okazaki! TV On the 27th, Earth will be within 55,750,000 kilometers of Mars. As you know, Mars is in an orbit just outside that of Earth. Tomoya Dad, if you're going to sleep, you should move to your bed. Come on, Dad, wake up! Naoyuki Oh. Well, look at this, will you? It seems that I've caused you such trouble again, Tomoya. Tomoya My mother died in a traffic accident when I was little. Because of that, I guess, my dad has been drinking and gambling, and hasn't been working much. Nagisa If you'd like... I'll take you to a special place in town. Tomoya Huh? Nagisa A place where all your wishes come true! Tomoya Sure... 次回予告 Youhei Okazaki, let's cut school today. It's Saturday, and school's just half a day today. Nagisa Don't worry, I'll be done real soon. Why don't you go wait for me in the club room? Kyou Good. Not even a scratch. Looks like I won't have to charge you for any repairs. Fuko Well, it's all set! Tomoyo It's nothing at all. Forget I said anything. Tomoya Are you alone?
https://w.atwiki.jp/penumbrajp/pages/57.html
CATEGORY Name="19_chemical_laboratory" Entry Name="EventDoorSteamLocked" コンピューター端末からこの扉のロックを解除したはずだが、一向に開く様子はない。ここのガス漏れで非常封鎖機構が作動したに違いない。 /Entry I unlocked this door from the computer terminal, but it won t open. All the leaking gas must have triggered an emergency lockdown. Entry Name="EventGotFilledSubstanceContainer" 目的の物質を手に入れたぞ！だが、もうあの入り口を引き返すことはできない。他に出口を探した方がいいだろう。 /Entry I got the substance! I better find a new way out of here, I can t go back the way I came. Entry Name="DescSecurityDoor" 頑丈そうな非常用の扉だ。見たところ、錠前や扉を開けるボタンなどは取り付けられていない。 /Entry Sturdy looking, some sort of emergency door. By the looks of it there s no visual lock or button to open it. Entry Name="LockedLastDoor" いちかばちかの賭けで、感染者たちの群れに飛び込んで行くつもりはない。他の道があるはずだ。 /Entry I m not taking my chances with the infected. There must be another way. Entry Name="DescLargeBeam" かなり重たいが、横に倒すことができれば時間稼ぎになる。 /Entry It s very heavy but if I can tip it over it should buy me some time. Entry Name="DescRobotDepth" クレーンを手前や奥に向かって動かすもののようだ。 /Entry It s supposed to bring the claw closer and further away. Entry Name="DescRobotHorizontal" これでクレーンを左右に動かせるらしい。 /Entry It claims to control the claw s left and right movement. Entry Name="DescRobotVertical" これでクレーンを上下に動かせる。 /Entry This makes the claw go up and down. Entry Name="DescRobotGrip" これでアームの開閉を操作できる。 /Entry This opens and closes the claw. Entry Name="DescContainerMachine" 安全装置の一種らしい。この装置に容器を入れると、中に物質を格納できるようになる。 /Entry Some sort of safety equipment. With a container inserted, you can transfer substances in a contained environment. Entry Name="DescTerminal01" この部屋の安全システムを操作するコンピューターだ。 /Entry This computer controls the safety systems for that chamber. Entry Name="DescGasLeak" 参ったな。ここでも毒ガスが漏れている。 /Entry Great. Another lethal gas leak. Entry Name="DescStaticPipeTurn" 無茶苦茶だ。ここの配管は別種の部品を継ぎ合わせて作られている上に、ところどころ砕け散っている。 /Entry What a mess. This pipe system is a patchwork of different pieces. Some are clearly falling apart. Entry Name="DescLeakingPipe" さてと、始めるか。このパイプは穴だらけで、部屋にガスが漏れ出ている。何か修理する方法があるはずだ。 /Entry Here we go. This pipe is full of holes leaking gas into the room. Must be a way to fix it. Entry Name="DescPipeTurn" 何かのパイプだ。おそらく配管系統の予備部品が廃棄されたのだろう。 /Entry Some piping, yet another discarded piece of the pipe system I presume. Entry Name="EventLidInPlace" 壁から突き出ているパイプの先にはフタが付いている。このままでは新しいパイプを取り付けることができない。 /Entry I can t attach the new pipe, there is a safety lid on the pipe turn in the wall. Entry Name="EventDoorRemotlyLocked" ガス漏れを直したが、ドアロックが解除される様子は見られない。他の場所からここをロックしているのだろう。 /Entry I got rid of the gas leak but the door is still locked tight. Must be remotely locked as well. Entry Name="EventDoorSteamLockedAndLocked" この扉にはドアロックがかけられている。ガス漏れでロックされているのかもしれないが、単にここからでは開けられないという可能性もある。 /Entry This door is locked good. Could be the gas leak preventing a safety from opening, or maybe it s just not opened from here at all. Entry Name="DescSecurityDoorEntrance" 頑丈そうな非常用の扉だ。この扉が開くのは非常事態のときだけだろう。 /Entry An emergency door, very sturdy. I have a feeling this door only opens if something is terribly wrong. Entry Name="DescJunk" がらくたがどんどん積み上がっている。どうやらこの場所は少しずつ崩落しているらしい。 /Entry More and more debris is piling up as this place slowly caves in. Entry Name="DescPipePlate" 配管同士の接触を防ぐための補強板だ。 /Entry A reinforcing plate to keep the pipe system intact. Entry Name="EventTriggerCamerasPuzzle" この区域の出口はロックされている！私がここにいることを彼らが知っているのは確実だ。解除する方法を見つけ出さなければ。 /Entry This area is being locked down! They know I m here for sure. I have to find a way to stop it. Entry Name="EventDeadEndLastRoom" この部屋は行き止まりだ！この部屋にバリケードを作れば、しばらく考える時間を稼げるだろう。 /Entry This room is a dead end! If I barricade myself in here I might be able to buy some time to think. Entry Name="EventValveStuck" 動かない。説明書によれば、これが物質の流動体を操作して安定させているらしい。動かさない方がいいだろう。 /Entry It s stuck, according to the instructions this operates the flow of stabilising fluids to the chamber. Better leave it be. Entry Name="DescValveSign" 格納装置の操作方法に関する説明書だ。物質に含まれる流動体を固定させて、安定させる方法が書かれている。どれも非常に複雑で細かい内容だ。慎重にやらなければ。 /Entry Instructions on how to operate the containment chamber. How to manage unstable substances with stabilising fluids. It s all very detailed and complex, I better be careful. Entry Name="EventComputerNotWork" 起動しない。壊れてしまったようだ。 /Entry It won t start. I guess it s broken. Entry Name="EventCameraSpotPlayer" くそっ！カメラに見つかったので、出口がロックされてしまった。もっと慎重に進むべきだろう。 /Entry Damn! I got spotted by the camera - now the whole place is locked down. I should be more careful. Entry Name="DescCamera" セキュリティカメラだ。あれの視界に入らないように行動した方がいいだろう。 /Entry It s a security camera, I better stay out of sight. Entry Name="DescLever01" セキュリティレベルをリセットするスイッチだ。 /Entry Reset security levels. Entry Name="DescLever03" セキュリティレベルをリセットするスイッチ。ステップA。 /Entry Reset security levels, step A. Entry Name="DescLever04" セキュリティレベルをリセットするスイッチ。ステップB。 /Entry Reset security levels, step B. Entry Name="DescTubes" これが何なのかはわからないが、なんだか気味が悪い。 /Entry I have know idea what this is, but it gives me the creeps. Entry Name="DescTubeDevices" リズミカルで、なだめるようなポンプの音が聞こえる。 /Entry That pumping noise is almost soothingly rythmic. Entry Name="DescTubesLastRoom" この流体はかなり・・・ 独特の臭いを放っている。 /Entry The fluids have a very... distinct smell. Entry Name="DescTubeDevicesLastRoom" これが何なのかはわからないが、とにかく壊れている。 /Entry Broken, whatever it might be. Entry Name="DescSink" この臭いからすると、あのチューブを流れていたものと同じ流体だろう。 /Entry By the smell of it, it s the same fluids as in the tubes. Entry Name="EventValveTurn" ここから脱出するには、あの緊急システムをオフにするしかない。 /Entry Setting off that emergancy system might be my only way to get out of here. Entry Name="EventInfectedBreakInSoon" いつ入り口が破られてもおかしくないぞ！ /Entry They are going to break in at any moment! Entry Name="EventDropSubstanceOnLid" 格納装置へつながる蓋が閉まっている。何かが足りないようだ。 /Entry The lid is closed, something must be missing. /CATEGORY
https://w.atwiki.jp/oper/pages/550.html
ATTO SECONDO SCENA I Orrida caverna al di là del fiume Cocito, offuscata poi in lontananza da un tenebroso fumo, illuminato dalle fiamme che ingombrano tutta quella orrida abitazione. Appena cangiata la scena, al suono di orribile sinfonia comincia il ballo delle Furie e degli Spettri, che viene interrotto dalle armonie della lira d Orfeo e questo comparendo poi sulla scena, tutta quella turba infernale intuona il seguente Ballo Maestoso Coro CORO Chi mai dell Erebo Fra le caligini, Sull orme d Ercole E di Piritoo Conduce il pié? Ballo Presto Coro CORO D orror l ingombrino Le fiere Eumenidi, E lo spaventino Gli urli di Cerbero, Se un Dio non è. Ballo Maestoso gli Spettri ripigliano le danze, girando intorno ad Orfeo per spaventarlo ORFEO Deh! placatevi con me. Furie, Larve, Ombre sdegnose... CORO No... ORFEO Vi renda almen pietose Il mio barbaro dolor. Coro CORO raddolcito e con espressione di qualche compatimento Misero giovane! Che vuoi, che mediti? Altro non abita Che lutto e gemito In queste orribili Soglie funeste. Aria ORFEO Mille pene, ombre sdegnose, Come voi sopporto anch io; Ho con me l inferno mio, Me lo sento in mezzo al cor. Coro CORO con maggior dolcezza Ah qual incognito Affetto flebile, Dolce a sospendere Vien l implacabile Nostro furor! Aria ORFEO Men tiranne, ah! voi sareste Al mio pianto, al mio lamento, Se provaste un sol momento Cosa sia languir d amor. Coro CORO sempre più raddolcito Ah quale incognito Affetto flebile, Dolce a sospendere Vien l implacabile Nostro furor!... Le porte stridano Su neri cardini E il passo lascino Sicuro e libero Al vincitor. Le Furie e gli Spettri cominciano a ritirarsi, e dileguandosi per entro le scene, ripetono l ultima strofa del coro; il quale, continuando sempre, frattanto che si allontanano, finisce in un confuso mormorio. SCENA II Recesso delizioso per i boschetti che verdeggiano, i fiori, che rivestono i prati, i ritiri ombrosi che vi si scoprono, i fiumi ed i ruscelli che lo bagnano. Euridice, seguita da Ombre celesti di Eroi e di Eroine EURIDICE Questo asilo di placide calme Ai Mani eletti il ciel sacrò. Torpida cura il sereno dell alme Turbar non può. Mite raggio d estatica ebbrezza Ogni palpito molce e accarezza; Respira il sen soave voluttà, E la bieca tristezza L atro vol va spiegando di qua. CORO Questo asilo di placide alme Ai Mani eletti il ciel sacrò. Torpida cura il sereno de l alme Turbar non può. Euridice dileguatasi tra i boschetti SCENA III Orfeo, indi Coro d Eroi e d Eroine; poi Euridice. Ballo Andante Arioso ORFEO Che puro ciel! che chiaro sol! che nuova Serena luce è questa mai! che dolce, Lusinghiera armonia formano insieme Il cantar degli augelli, Il correr de ruscelli, Dell aure il sussurrar questo è il soggiorno De fortunati Eroi. Qui tutto spira Un tranquillo contento Ma non per me. Se l idol mio non trovo, Sperar nol posso i suoi soavi accenti, Gli amorosi suoi sguardi, il suo bel riso, Sono il mio solo, il mio diletto Eliso. Ma in qual parte sarà? si guarda intorno Chiedesi a questo Che mi viene a incontrar, stuolo felice. Euridice dov è inoltrandosi verso il Coro CORO Giunge Euridice. Coro CORO Vieni a regni del riposo, Grande eroe, tenero sposo Raro esempio in ogni età. Euridice Amor ti rende; Già risorge, già riprende La primiera sua beltà. Ballo degli Eroi Andante Recitativo ORFEO Oh voi, ombre felici, Colei che tanto piango Per voi sia resa a me. Se mai poteste Sentir qual foco mi consumi e quale Amoroso desio m infiammi il core, Tornata a baci miei costei saria! Deh! vano il santo appello, Ombre, non sia! CORO Torni tua! pietoso è il ciel! Coro CORO a Euridice Torna, o bella, al tuo consorte. Che non vuol che più diviso Sia da te, pietoso il ciel. Non lagnarti di tua sorte, Ché può dirsi un altro Eliso Uno sposo sì fedel. Da un coro di Eroine vien condotta Euridice vicino ad Orfeo, il quale, senza guardarla e con un atto di somma premura, la prende per mano e la conduce subito via. Seguita poi il ballo degli Eroi ed Eroine, e si ripiglia il canto del Coro supposto continuarsi sino a tanto che Orfeo ed Euridice siano affatto fuori dagli Elisi. ATTO SECONDO SCENA I Orrida caverna al di là del fiume Cocito, offuscata poi in lontananza da un tenebroso fumo, illuminato dalle fiamme che ingombrano tutta quella orrida abitazione. Appena cangiata la scena, al suono di orribile sinfonia comincia il ballo delle Furie e degli Spettri, che viene interrotto dalle armonie della lira d Orfeo e questo comparendo poi sulla scena, tutta quella turba infernale intuona il seguente Ballo Maestoso Coro CORO Chi mai dell Erebo Fra le caligini, Sull orme d Ercole E di Piritoo Conduce il pié? Ballo Presto Coro CORO D orror l ingombrino Le fiere Eumenidi, E lo spaventino Gli urli di Cerbero, Se un Dio non è. Ballo Maestoso gli Spettri ripigliano le danze, girando intorno ad Orfeo per spaventarlo ORFEO Deh! placatevi con me. Furie, Larve, Ombre sdegnose... CORO No... ORFEO Vi renda almen pietose Il mio barbaro dolor. Coro CORO raddolcito e con espressione di qualche compatimento Misero giovane! Che vuoi, che mediti? Altro non abita Che lutto e gemito In queste orribili Soglie funeste. Aria ORFEO Mille pene, ombre sdegnose, Come voi sopporto anch io; Ho con me l inferno mio, Me lo sento in mezzo al cor. Coro CORO con maggior dolcezza Ah qual incognito Affetto flebile, Dolce a sospendere Vien l implacabile Nostro furor! Aria ORFEO Men tiranne, ah! voi sareste Al mio pianto, al mio lamento, Se provaste un sol momento Cosa sia languir d amor. Coro CORO sempre più raddolcito Ah quale incognito Affetto flebile, Dolce a sospendere Vien l implacabile Nostro furor!... Le porte stridano Su neri cardini E il passo lascino Sicuro e libero Al vincitor. Le Furie e gli Spettri cominciano a ritirarsi, e dileguandosi per entro le scene, ripetono l ultima strofa del coro; il quale, continuando sempre, frattanto che si allontanano, finisce in un confuso mormorio. SCENA II Recesso delizioso per i boschetti che verdeggiano, i fiori, che rivestono i prati, i ritiri ombrosi che vi si scoprono, i fiumi ed i ruscelli che lo bagnano. Euridice, seguita da Ombre celesti di Eroi e di Eroine EURIDICE Questo asilo di placide calme Ai Mani eletti il ciel sacrò. Torpida cura il sereno dell alme Turbar non può. Mite raggio d estatica ebbrezza Ogni palpito molce e accarezza; Respira il sen soave voluttà, E la bieca tristezza L atro vol va spiegando di qua. CORO Questo asilo di placide alme Ai Mani eletti il ciel sacrò. Torpida cura il sereno de l alme Turbar non può. Euridice dileguatasi tra i boschetti SCENA III Orfeo, indi Coro d Eroi e d Eroine; poi Euridice. Ballo Andante Arioso ORFEO Che puro ciel! che chiaro sol! che nuova Serena luce è questa mai! che dolce, Lusinghiera armonia formano insieme Il cantar degli augelli, Il correr de ruscelli, Dell aure il sussurrar questo è il soggiorno De fortunati Eroi. Qui tutto spira Un tranquillo contento Ma non per me. Se l idol mio non trovo, Sperar nol posso i suoi soavi accenti, Gli amorosi suoi sguardi, il suo bel riso, Sono il mio solo, il mio diletto Eliso. Ma in qual parte sarà? si guarda intorno Chiedesi a questo Che mi viene a incontrar, stuolo felice. Euridice dov è inoltrandosi verso il Coro CORO Giunge Euridice. Coro CORO Vieni a regni del riposo, Grande eroe, tenero sposo Raro esempio in ogni età. Euridice Amor ti rende; Già risorge, già riprende La primiera sua beltà. Ballo degli Eroi Andante Recitativo ORFEO Oh voi, ombre felici, Colei che tanto piango Per voi sia resa a me. Se mai poteste Sentir qual foco mi consumi e quale Amoroso desio m infiammi il core, Tornata a baci miei costei saria! Deh! vano il santo appello, Ombre, non sia! CORO Torni tua! pietoso è il ciel! Coro CORO a Euridice Torna, o bella, al tuo consorte. Che non vuol che più diviso Sia da te, pietoso il ciel. Non lagnarti di tua sorte, Ché può dirsi un altro Eliso Uno sposo sì fedel. Da un coro di Eroine vien condotta Euridice vicino ad Orfeo, il quale, senza guardarla e con un atto di somma premura, la prende per mano e la conduce subito via. Seguita poi il ballo degli Eroi ed Eroine, e si ripiglia il canto del Coro supposto continuarsi sino a tanto che Orfeo ed Euridice siano affatto fuori dagli Elisi. Gluck,Christoph Willibald/Orfeo ed Euridice/ActⅢ
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Oracleサービス起動失敗の対応方法その１ コマンドプロンプトで、set ORACLE_SID=xxxxの後、 #emctl start dbconsole とすると、対話的に起動が出来るので、エラーの確認が出来ます。 Oracleのログイン方法 【SQLPLUS username/passward @sid @script_file_name 】 #SQLPLUS SCOTT/TIGER #SQLPLUS SCOTT/TIGER@LOCALDB #SQLPLUS SCOTT/TIGER@LOCALDB @C /TEMP/CREATE.SQL ロールの権限付与 【GRANT roll_name TO username;】 #GRANT SYSDBA, CONNECT, RESOURCE TO SCOTT; ユーザーの作成 【CREATE USER username IDENTIFIED BY password;】 #CREATE USER TESTUSER IDENTIFIED BY TEST; EXPORT 【exp username/password@sid file=exp01.dmp】 #exp "TESTUSER/PASS@TOK file=exp01.dmp tables=(JOB, TOKU)" IMPORT 【imp username/password@sid file=exp01.dmp】 #imp "TESTUSER/PASS@TOK file=exp01.dmp tables=(JOB, TOKU)" 表の一覧 # select * from tab; 表の項目一覧 # desc 表名;（;は省略可） インデックスの一覧 # select * from user_ind_columns; ※指定した表のインデックスのみ、表示することもできます。 # select column_name from user_ind_columns where table_name = 表名 ; ユーザ一覧 # select username from user_users; DBリンク 接続設定データベースリンクを張る側で定義する。(tnsnames.ora の設定) # ORAC10 = # (DESCRIPTION = # (ADDRESS = (PROTOCOL = TCP) (HOST = 192.168.0.200) (PORT = 1521)) # (CONNECT_DATA = (SID = ORAC10)) # ) データベースリンクの作成 ※参照したい側で行う # create database link DB_LINE_NAME # connect to USER identified by PASS using tns TARGET_TNS_NAME ; (ここでは、ORAC10になる) 更新がある場合、（アクセスしやすいようにシノニムを設定） # create synonym TABLE_NAME for SCHEMA.TABLE_NAME@DB_LINK_NAME; データベースの文字コード # select * from NLS_DATABASE_PARAMETERS where PARAMETER = NLS_NCHAR_CHARACTERSET ; 管理ツールのデフォルトのユーザ ユーザの種類 ユーザ名 パスワード データベース管理者 sys change_on_install データベース管理者 system manager テストユーザ scott tiger SQLPlusによるエラー出力 # set serveroutput on ロックの強制解除 表ロック、行ロックが掛かってしまった場合は、 そのロックを掛けたユーザーのセッションを切断することで、ロックの解除が可能です。 /* ①ｾｯｼｮﾝ情報取得 */ SELECT SID, -- ｾｯｼｮﾝID SERIAL# -- ｼﾘｱﾙﾅﾝﾊﾞｰ FROM V$SESSION WHERE OSUSER = ユーザー名 ; /* ②上記で取得したセッションを切断する */ ALTER SYSTEM KILL SESSION 上記SQLで取得したSID, 上記SQLで取得したSERIAL# ; 親子関係TBLのデッドロック ログを確認したところどうもdelete文でデットロックが起きたようです。 しかしながら、どんなに目を凝らしてもdelete文でデットロックが発生する作りにはなってません・・・ しょうがないので開発環境で問題のSQLを投げてみます。 幸い問題のSQLはトレースログから確認できています。 SQLを直接実行するくらいは簡単です。 あっさりデットロック！ どうも調べてみると親子関係のあるテーブルで子テーブルを削除する際、Oracleが親テーブルにテーブルロックをかけることが判明！ テーブルロックをかけてこられては、プログラム側からの対応はちょっと面倒です。 簡単に回避するのには子テーブルのFK（フォーリンキー）に インデックスを張れば回避できるくさいです。 パフォーマンスチューニング（SQL） SQLの計測 #alter system flush shared pool; 共有プール内バッファを空にする #set timing on; 実行時間経過を表示する #set autotrace on; 実行したＳＱＬの実行統計、実行パスを表示する
https://w.atwiki.jp/vipmtg2/pages/212.html
参加者デッキ Mexit ◆g6LBnaZ55o TarmoBoros 4 [FUT] Horizon Canopy 2 [4E] Mountain (1) 1 [RAV] Temple Garden 4 [TSP] Flagstones of Trokair 4 [CH] City of Brass 1 [4E] Plains (1) 4 [RAV] Sacred Foundry 4 [TSP] Knight of the Holy Nimbus 4 [TSB] Soltari Priest 4 [TSP] Magus of the Scroll 4 [4E] Savannah Lions 4 [FUT] Tarmogoyf 4 [DIS] Seal of Fire 4 [4E] Swords to Plowshares 4 [TSP] Rift Bolt 4 [RAV] Lightning Helix 4 [4E] Lightning Bolt SB 4 [4E] Winter Orb SB 3 [GP] Tin Street Hooligan SB 4 [TSB] Honorable Passage SB 4 [TSP] Ancient Grudge 今までのとの変更点は悪党1枚減って、道行き1枚増やしただけです 最近エンチャントに苦しめられることが多くなってきたんで、エンチャント対策もしたほうがいいかも知れない Yatu ◆kKWXNftXyY Dirty Kitty 4 [ON] Bloodstained Mire 4 [ON] Wooded Foothills 4 [FUT] Grove of the Burnwillows 1 [UNH] Forest 7 [UNH] Mountain 4 [ON] Skirk Prospector 4 [TSP] Mogg War Marshal 4 [ON] Goblin Piledriver 4 [SC] Goblin Warchief 4 [ON] Goblin Sharpshooter 1 [ON] Goblin Pyromancer 4 [PLC] Simian Spirit Guide 1 [ON] Goblin Sledder 4 [8E] Fecundity 4 [TSP] Empty the Warrens 4 [ON] Brightstone Ritual 1 [TSP] Grapeshot 1 [TSB] Disintegrate SB 4 [LE] Gempalm Incinerator SB 3 [8E] Blood Moon SB 3 [8E] Naturalize SB 3 [TSP] Ancient Grudge SB 2 [TSB] Tormod s Crypt 女看守とマナブーストのないゴブリンストーム 完全運ゲーです
https://w.atwiki.jp/oper/pages/1089.html
DEUXIÈME ACTE Appartement intérieur du temple destine aux victimes, où Pylade et Oreste sont enchaînés. Sur un des côtes ce trouve un autel SCÈNE I PYLADE Quel silence effrayant! quelle douleur funeste! Quoi? tu ne me réponds que par des longs sanglots? Que peut la mort sur l âme des héros? Ne suis-je plus Pylade? Et n es-tu plus Oreste? ORESTE Dieux! à quelles horreurs m aviez-vous réservé? D un aveugle destin déplorable victime, Partout errant et partout réprouve, Mon sort est accompli, j etais né pour le crime PYLADE Que dis-tu? quel est ce remords? Quel nouveau crime enfin? ORESTE Je t ai donné la mort. Ce n était pas assez que ma main meurtrière Fût plongé le poignard dans le coeur d une mère. Les Dieux me réservaient pour un forfait nouveau Je n avais qu un ami, je deviens son bourreau! Air Dieux qui me poursuivez, Dieux, auteurs de mes crimes, De l enfer sous mes pas entrouvrez les abîmes! Ses supplices pour moi seront encore trop doux! J ai trahi l amitié, j ai trahi la nature. Des plus noirs attentats j ai comble la mesure. Dieux, frappez le coupable ei justifiez-vous! PYLADE Quel langage accablant pour un ami qui t aime! Reviens à toi, mourons dignes de nous! Cesse, dans ta fureur extrême, D outrager et les Dieux, et Pylade, ei toi-même! Si le trépas nous est inévitable, Quelle vaine terreur te fait pâlir pour moi? Je ne suis pas si miserable, Puisqu enfin je meurs près de toi! Air Unis dès la plus tendre enfance Nous n avions qu un même désir Ah! mon cour applaudit d avance Au coup qui va nous réunir! Le sort nous fait périr ensemble, N en accuse point la rigueur; La mort même est une faveur, puisque le tombeau nous rassemble. SCÈNE 2 Entrent un ministre du sanctuaire et des gardes du temple LE MINISTRE DU SANCTUAIRE Etrangers malheureux, il faut vous séparer! à Pylade Vous, suivez-moi! PYLADE ET ORESTE Grands Dieux! qu ordonnes-tu, barbare? ORESTE à Pylade Non, ne me quitte pas, ami fidèle et rare! PYLADE ET ORESTE aux gardes Cruels, faut-il vous implorer Hâtez la mort qu on nous prépare, Mais laissez-nous la recevoir tous deux! Vos glaives, vos bûchers sont cent fois moins affreux Que le moment qui nous sépare! LE MINISTRE DU SANCTUAIRE J obéis â nos lois, j obéis à nos Dieux! aux gardes Qu on le conduise. ORESTE Arrête! PYLADE Hélas! ORESTE Monstres sauvages! Pylade, le ministre du sanctuaire et les gardes sortent On te l enlève, hélas! Pylade est mort pour toil SCÈNE 3 ORESTE Dieux protecteurs de ces affreux rivages, Dieux avides de sang, tonnez, tonnez, écrasez-moi! Il tombe Où suis-je? à l horreur qui m obsède Quelle tranquillité succède? Air Le calme rentre dans mon coeur! Mes maux ont donc lassé la colère céleste? Je touche au terme du malheur! Vous laissez respirer le parricide Oreste? Dieux justes! Ciel vengeur! Oui, le calme rentre dans mon cour! Il s endort d accablement SCÈNE 4 Les Euménides paraissent entourent Oreste. Les unes exécutent autour de lui un ballet pantomine de terreur les autres lui parlent. Oreste reste endormi pendant toute la scène LES EUMÉNIDES Vengeons et la nature et les Dieux en courroux! Inventons des tourments. Il a tué sa mère! ORESTE Ah! ah! ah! LES EUMÉNIDES Point de grâce, il a tué sa mère! Vengeons et la nature et les Dieux en courroux! ORESTE Ah! quels tourments! ah! quels tourments! LES EUMÉNIDES Ils sont encore trop doux; Vengeons et la nature et les Dieux en courroux! Il a tué sa mère! L ombre de Clytemnestre paraît au milieu des furies et s abîme aussitôt ORESTE Un spectre! ah! ah! LES EUMÉNIDES Point de grâce, il a tué sa mère! ORESTE Ayez pitié! ayez pitié! LES EUMÉNIDES De la pitié? le monstre! il a tué sa mère! Vengeons et la nature et les Dieux en courroux! ORESTE Ayez pitié! Ah quels tourments! Ah quels tourments! LES EUMÉNIDES Égalons, s il se peut, sa rage meurtrière; Ce crime affreux ne peut être expié! Ton forfait ne peut être expié! ORESTE Ayez pitié! Dieux cruels! apercevant Iphigénie Ma mère! Ciel! SCÈNE 5 Les portes de l appartement s ouvrent; les prêtresses paraissent les furies s abîment sans pouvoir être aperçues IPHIGENIE à Oreste Je vois toute l horreur Que ma présence vous inspire. Mais au fond de mon coeur, Etranger malheureux, si vos yeux pouvaient lire, Autant que je vous plains, vous plaindriez mon sort. ORESTE à part Quels traits! quel étonnant rapport! IPHIGENIE aux prêtresses Qu on détache ses fers. à Oreste Quels bords vous ont vu naître? Que veniez-vous chercher dans ces climats affreux? ORESTE Quel vain désir vous porte à me connaître? IPHIGENIE Parlez! ORESTE à part Que lui répondre? Ô Dieux! IPHIGENIE D où vient que votre coeur soupire? Qu êtes-vous? ORESTE Malheureux! C est assez vous en dire. IPHIGÉNIE De grâce, répondez de quels lieux venez-vous, Quel sang vous donna l être? ORESTE Vous le voulez? Mycènes m a vu naître! IPHIGÉNIE Dieux, qu entends-je? Achevez! Dites, informez-nous du sort d Agamemnon, De celui de la Grèce! ORESTE Agamemnon? IPHIGÉNIE D où naît la douleur qui vous presse? ORESTE Agamemnon... IPHIGENIE Je vois couler vos pleurs! ORESTE ...sous un fer parricide est tombé! IPHIGENIE à part Je me meurs! ORESTE à part Quelle est donc cette femme? IPHIGÉNIE Et quel monstre exécrable A sur un roi si grand osé lever le bras? ORESTE Au nom des Dieux, ne m interrogez pas! IPHIGENIE Au nom des Dieux, parlez! ORESTE Ce monstre abominable, c est... IPHIGÉNIE Achevez! vous me faites frémir! ORESTE ...son épouse! IPHIGÉNIE Grands Dieux! Clytemnestre? ORESTE Elle-même! LES PRÊTRESSES Ciel! IPHIGÉNIE Et des Dieux vengeurs la justice suprême A vu ce crime atroce? ORESTE Elle a su le punir! Son fils... IPHIGENIE Ô ciel! ORESTE ...il a vengé son père! IPHIGÉNIE ET LES PRÊTRESSES De forfaits sur forfaits quel assemblage affreux! OREST E De mes forfaits quel assemblage affreux! IPHIGENIE Et ce fils qui du ciel a servi la colère, Ce fatal instrument de la vengeance des Dieux? ORESTE A rencontré la mort qu il a longtemps cherchée. Electre dans Mycènes est seule demeurée. IPHIGÉNIE à part C en est fait! Tous les tiens ont subi le trépas Tristes pressentiments, vous ne me trompez pas! à Oreste Eloignez-vous, je suis assez instruite Oreste sort SCÈNE 6 IPHIGENIE Ô ciel! de mes tourments la cause et le témoin, Jouissez des malheurs où vous m avez réduite; Ils ne pouvaient aller plus loin! CHOEUR DES PRÊTRESSES Patrie infortunée, Où par des noeuds si doux Notre âme est enchaînée, Vous avez disparu pour nous! IPHIGENIE Ô malheureuse Iphigénie! Ta famille est anéantie! Vous n avez plus de rois, je n ai plus de parents, Mêlez vos cris plaintifs à mes gémissements! Vous n avez plus de rois, etc. O malheureuse Iphigénie! Ta famille est anéantie! etc. CHOEUR DES PRÊTRESSES Mêlons nos cris plaintifs à ses gémissements! IPHIGÉNIE Vous n avez plus de rois, je n ai plus de parents. CHOEUR DES PRÊTRESSES Nous n avions d espérance, hélas! que dans Oreste! Nous avons tout perdu, nul espoir ne nous reste! IPHIGÉNIE Honorez avec moi ce héros qui n est plus! Du moins qu aux mânes de mon frère Les derniers devoirs soient rendus! Apportez-moi la coupe funéraire; Offrons à cette ombre si chère Les froids honneurs qui lui sont dûs. On apporte la coupe et l on commence les cérémonies funèbres CHOEUR DES PRÊTRESSES Contemplez ces tristes apprêts, Mânes sacrés, ombre plaintive, Que nos larmes, que nos regrets, Pénètrent l infernale rive. IPHIGENIE Ô mon frère, daignez entendre Les accents de ma douleur; Que les regrets de ta sour Jusqu à toi puissent descendre. CHOEUR DES PRÊTRESSES Contemplez ces tristes apprêts, etc. DEUXIÈME ACTE Appartement intérieur du temple destine aux victimes, où Pylade et Oreste sont enchaînés. Sur un des côtes ce trouve un autel SCÈNE I PYLADE Quel silence effrayant! quelle douleur funeste! Quoi? tu ne me réponds que par des longs sanglots? Que peut la mort sur l âme des héros? Ne suis-je plus Pylade? Et n es-tu plus Oreste? ORESTE Dieux! à quelles horreurs m aviez-vous réservé? D un aveugle destin déplorable victime, Partout errant et partout réprouve, Mon sort est accompli, j etais né pour le crime PYLADE Que dis-tu? quel est ce remords? Quel nouveau crime enfin? ORESTE Je t ai donné la mort. Ce n était pas assez que ma main meurtrière Fût plongé le poignard dans le coeur d une mère. Les Dieux me réservaient pour un forfait nouveau Je n avais qu un ami, je deviens son bourreau! Air Dieux qui me poursuivez, Dieux, auteurs de mes crimes, De l enfer sous mes pas entrouvrez les abîmes! Ses supplices pour moi seront encore trop doux! J ai trahi l amitié, j ai trahi la nature. Des plus noirs attentats j ai comble la mesure. Dieux, frappez le coupable ei justifiez-vous! PYLADE Quel langage accablant pour un ami qui t aime! Reviens à toi, mourons dignes de nous! Cesse, dans ta fureur extrême, D outrager et les Dieux, et Pylade, ei toi-même! Si le trépas nous est inévitable, Quelle vaine terreur te fait pâlir pour moi? Je ne suis pas si miserable, Puisqu enfin je meurs près de toi! Air Unis dès la plus tendre enfance Nous n avions qu un même désir Ah! mon cour applaudit d avance Au coup qui va nous réunir! Le sort nous fait périr ensemble, N en accuse point la rigueur; La mort même est une faveur, puisque le tombeau nous rassemble. SCÈNE 2 Entrent un ministre du sanctuaire et des gardes du temple LE MINISTRE DU SANCTUAIRE Etrangers malheureux, il faut vous séparer! à Pylade Vous, suivez-moi! PYLADE ET ORESTE Grands Dieux! qu ordonnes-tu, barbare? ORESTE à Pylade Non, ne me quitte pas, ami fidèle et rare! PYLADE ET ORESTE aux gardes Cruels, faut-il vous implorer Hâtez la mort qu on nous prépare, Mais laissez-nous la recevoir tous deux! Vos glaives, vos bûchers sont cent fois moins affreux Que le moment qui nous sépare! LE MINISTRE DU SANCTUAIRE J obéis â nos lois, j obéis à nos Dieux! aux gardes Qu on le conduise. ORESTE Arrête! PYLADE Hélas! ORESTE Monstres sauvages! Pylade, le ministre du sanctuaire et les gardes sortent On te l enlève, hélas! Pylade est mort pour toil SCÈNE 3 ORESTE Dieux protecteurs de ces affreux rivages, Dieux avides de sang, tonnez, tonnez, écrasez-moi! Il tombe Où suis-je? à l horreur qui m obsède Quelle tranquillité succède? Air Le calme rentre dans mon coeur! Mes maux ont donc lassé la colère céleste? Je touche au terme du malheur! Vous laissez respirer le parricide Oreste? Dieux justes! Ciel vengeur! Oui, le calme rentre dans mon cour! Il s endort d accablement SCÈNE 4 Les Euménides paraissent entourent Oreste. Les unes exécutent autour de lui un ballet pantomine de terreur les autres lui parlent. Oreste reste endormi pendant toute la scène LES EUMÉNIDES Vengeons et la nature et les Dieux en courroux! Inventons des tourments. Il a tué sa mère! ORESTE Ah! ah! ah! LES EUMÉNIDES Point de grâce, il a tué sa mère! Vengeons et la nature et les Dieux en courroux! ORESTE Ah! quels tourments! ah! quels tourments! LES EUMÉNIDES Ils sont encore trop doux; Vengeons et la nature et les Dieux en courroux! Il a tué sa mère! L ombre de Clytemnestre paraît au milieu des furies et s abîme aussitôt ORESTE Un spectre! ah! ah! LES EUMÉNIDES Point de grâce, il a tué sa mère! ORESTE Ayez pitié! ayez pitié! LES EUMÉNIDES De la pitié? le monstre! il a tué sa mère! Vengeons et la nature et les Dieux en courroux! ORESTE Ayez pitié! Ah quels tourments! Ah quels tourments! LES EUMÉNIDES Égalons, s il se peut, sa rage meurtrière; Ce crime affreux ne peut être expié! Ton forfait ne peut être expié! ORESTE Ayez pitié! Dieux cruels! apercevant Iphigénie Ma mère! Ciel! SCÈNE 5 Les portes de l appartement s ouvrent; les prêtresses paraissent les furies s abîment sans pouvoir être aperçues IPHIGENIE à Oreste Je vois toute l horreur Que ma présence vous inspire. Mais au fond de mon coeur, Etranger malheureux, si vos yeux pouvaient lire, Autant que je vous plains, vous plaindriez mon sort. ORESTE à part Quels traits! quel étonnant rapport! IPHIGENIE aux prêtresses Qu on détache ses fers. à Oreste Quels bords vous ont vu naître? Que veniez-vous chercher dans ces climats affreux? ORESTE Quel vain désir vous porte à me connaître? IPHIGENIE Parlez! ORESTE à part Que lui répondre? Ô Dieux! IPHIGENIE D où vient que votre coeur soupire? Qu êtes-vous? ORESTE Malheureux! C est assez vous en dire. IPHIGÉNIE De grâce, répondez de quels lieux venez-vous, Quel sang vous donna l être? ORESTE Vous le voulez? Mycènes m a vu naître! IPHIGÉNIE Dieux, qu entends-je? Achevez! Dites, informez-nous du sort d Agamemnon, De celui de la Grèce! ORESTE Agamemnon? IPHIGÉNIE D où naît la douleur qui vous presse? ORESTE Agamemnon... IPHIGENIE Je vois couler vos pleurs! ORESTE ...sous un fer parricide est tombé! IPHIGENIE à part Je me meurs! ORESTE à part Quelle est donc cette femme? IPHIGÉNIE Et quel monstre exécrable A sur un roi si grand osé lever le bras? ORESTE Au nom des Dieux, ne m interrogez pas! IPHIGENIE Au nom des Dieux, parlez! ORESTE Ce monstre abominable, c est... IPHIGÉNIE Achevez! vous me faites frémir! ORESTE ...son épouse! IPHIGÉNIE Grands Dieux! Clytemnestre? ORESTE Elle-même! LES PRÊTRESSES Ciel! IPHIGÉNIE Et des Dieux vengeurs la justice suprême A vu ce crime atroce? ORESTE Elle a su le punir! Son fils... IPHIGENIE Ô ciel! ORESTE ...il a vengé son père! IPHIGÉNIE ET LES PRÊTRESSES De forfaits sur forfaits quel assemblage affreux! OREST E De mes forfaits quel assemblage affreux! IPHIGENIE Et ce fils qui du ciel a servi la colère, Ce fatal instrument de la vengeance des Dieux? ORESTE A rencontré la mort qu il a longtemps cherchée. Electre dans Mycènes est seule demeurée. IPHIGÉNIE à part C en est fait! Tous les tiens ont subi le trépas Tristes pressentiments, vous ne me trompez pas! à Oreste Eloignez-vous, je suis assez instruite Oreste sort SCÈNE 6 IPHIGENIE Ô ciel! de mes tourments la cause et le témoin, Jouissez des malheurs où vous m avez réduite; Ils ne pouvaient aller plus loin! CHOEUR DES PRÊTRESSES Patrie infortunée, Où par des noeuds si doux Notre âme est enchaînée, Vous avez disparu pour nous! IPHIGENIE Ô malheureuse Iphigénie! Ta famille est anéantie! Vous n avez plus de rois, je n ai plus de parents, Mêlez vos cris plaintifs à mes gémissements! Vous n avez plus de rois, etc. O malheureuse Iphigénie! Ta famille est anéantie! etc. CHOEUR DES PRÊTRESSES Mêlons nos cris plaintifs à ses gémissements! IPHIGÉNIE Vous n avez plus de rois, je n ai plus de parents. CHOEUR DES PRÊTRESSES Nous n avions d espérance, hélas! que dans Oreste! Nous avons tout perdu, nul espoir ne nous reste! IPHIGÉNIE Honorez avec moi ce héros qui n est plus! Du moins qu aux mânes de mon frère Les derniers devoirs soient rendus! Apportez-moi la coupe funéraire; Offrons à cette ombre si chère Les froids honneurs qui lui sont dûs. On apporte la coupe et l on commence les cérémonies funèbres CHOEUR DES PRÊTRESSES Contemplez ces tristes apprêts, Mânes sacrés, ombre plaintive, Que nos larmes, que nos regrets, Pénètrent l infernale rive. IPHIGENIE Ô mon frère, daignez entendre Les accents de ma douleur; Que les regrets de ta sour Jusqu à toi puissent descendre. CHOEUR DES PRÊTRESSES Contemplez ces tristes apprêts, etc. Gluck,Christoph Willibald/Iphigénie en Tauride/III
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歌詞 Sorry Sorry - Japanese Ver.(Super Junior) Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby まだ? もう? もっと急げ もっと急げ 間に合う ホントはどうしたいの?(抜け出せなくなる) 体が固まる 心がとろける めくるめく世界さ(抜け出したくない) 惜しげもなく晒したその素肌 大胆不敵で素敵な笑顔 小指の先まで染められそうさ 取り返しつかないほどにfall in love Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby Tan tan tan ta ta ta ta ran tan tan tan tan ta ta ta(君に夢中さBaby) Go.....愛の罠に真っしぐら (hey go) からかわないで 淡い期待を (君は)Love maker(誰も)落とせないね (僕は)諦めないよ 高鳴ってる(one two three four) しぐさと視線で絡め取られた 静かに進行してゆく妄想 寝るのも忘れて溺れてるのさ 引き返せないところまでfall in love (まだ！もっと！まだ！もっと！) Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby Tan tan tan ta ta ta ta ran tan tan tan tan ta ta ta(君に夢中さ Baby) Let s dance dance dance dance Let s dance dance dance dance Let s dance dance dance dance dance dance Hey! いけない事ほど ねぇ ハマりこむものさ yeah もう逆らう事もできない おかしくなりそう hey! hey! hey! 永遠に僕だけのもの そばにいて 最高の夢を見せてあげるから 愛を語るより本音を晒せ 狙い定めたら ほら that that that that girl Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby
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PaperScissorsとは ペーパーマンで活動するクランです。 PaperManが好きすぎてミリィが好きすぎて困ったちゃんのIyoriが中堅くらいの強さのクランを建てたいなぁと思ったのが発端で出来上がったクランだよ！ 勝ちながら楽しめるクランを目指します（ｷﾘｯ UseTools（ゆーずつーるず） Ventrilo2.14（べんとりお にーてんいちよん） IRC（あいあーるしー） →Friend系列 #P_Scissors 入隊条件（笑） PaperManを楽しめるひと IRC、Ventriloを自ら導入できるひと Ventで喋られるひと 運営の必殺技「サーバーメンテナンス！」に負けないひと #P_Scissorsまでどうぞ ☆ミ 歴史 2008-11-03 IyoriがPaperScissors結成を決意。 2008-12-?? Iyoriが#P_Scissorsチャンネルを作る 2009-01-xx ペーパーマン内にクラン「PaperScissors」設立 2009-01-09 wiki開設